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Missy Wiggins |
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Former lover accuses artist of
stealing her ideas February 26, 2008
Billy Conklin is England's most dubious contemporary artist. In 2006 after his sculpture of an abused child, Hatrack, failed to auction at its $1.2m reserve (now £686,000), ArtNow magazine put him at number forty-eight on a list of the art world's VIPs. It was the highest ranking for any artist formerly residing in Norwich. An inveterate prankster, Conklin once persuaded a museum director to dress up for the sake of art in a white suit out-of-season. But the latest controversy was ignited in an interview published last month by the Italian edition of Splash. The Detroit-born artist Missy Wiggins - best known for her disturbing installations of art to be destroyed - said she had had an affair with Conklin before either became infamous and that she was the source for many of his ideas. "It was in 2000," she said. "I worked in a gallery at Millbank. All I really did was unlock and lock the door. One day Billy turned up at closing. I didn't know who he was and he tried to persuade me to steal all the works in the gallery. When I refused, he forced me sexually on the sales counter. "And so we saw each other for a period. I've always been repulsed by him though. I guess that was the attraction to start. Then he gave me very beautiful presents, objects taken from his mum's flat." Asked how the affair ended, Wiggins was quoted as replying: "It ended with there being a lot of rivalry between us. Every time that I told him an idea, he turned it into his own slag." Conklin's output is varied whereas Wiggins, who has over-sized breasts, has remained obsessed with getting her public to contend its ideas about the female body. Nevertheless, there is a similarity between two series of works the artists produced in 2005, both involving London's July transit bombings.
Confronted with Wiggins' claims, Conklin neither confirmed their affair, nor
denied specifically the insinuation of plagiarism.
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>Missy Wiggins was born in Detroit, 1982. Her family moved to London when she was five, and where she received her schooling. She now works between London and Detroit This series of portraits and cityscapes represents the corrosive effects of fear and urbanization in the 21st Century, both in our environment and psyche - observed by the artist in Detroit and London. |
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