museum of new art - closing january 16, 2009

Christo and Jeanne-Claude: The Prinzhorn Exhibition  

 

 
 

 

 

 

Christo and Jeanne-Claude:

The Prinzhorn Prize Exhibition

@

The Museum of New Art - MONA

 

Part I: Friday, December 11

from 6-10pm - Opening Reception

@ Detroit MONA

The Russell Industrial Center

1600 Clay Street
Detroit - Bldg. 2, 3rd Floor

 

Part II: Saturday, December 12

from 1-5pm

@ Pontiac MONA

7 North Saginaw Street
Pontiac, Michigan 48307


On View: December 11 - January 16, 2010

 

Opening Reception: Friday, December 11  from 6 to 10pm at the Detroit MONA,

@ The Russell Industrial Center


Regular Hours: Thursday and Saturday from 1-5 pm in Pontiac. Or, by appointment.

 

tel: 248-210-7560

email: detroitmona@aol.com

web: detroitmona.com

 

 

 
 

  THE MUSEUM OF NEW ART presents

The Prinzhorn Prize Exhibition for Christo and Jeanne-Claude

 

 

Opening Dates: December 11 through January 16, 2010
Reception: Friday, December 11 - from 6pm to 10pm @ The Russell Industrial Center
 

The Museum of New Art (MONA) is proud to present its exhibition for internationally renowned artists Christo and Jeanne-Claude at the museum's new Detroit annex, in conjunction with the artists being awarded the Prinzhorn Prize for Lifetime Achievement.

Forty signed reproduction posters of drawings, collages and photographs will offer a Detroit audience the chance to see the artistic process behind many of the monumental public art projects undertaken by Christo and Jeanne-Claude during the past five decades, and a glimpse at those to come.

Christo and Jeanne-Claude have transcended the traditional boundaries of painting, drawing, sculpture and architecture. This exhibition represents the wide variety of media used by the artists and explores the breadth of their work.

The exhibition will include signed reproductions of drawings, collages and photographs for most of the artists’ monumental projects, including The Umbrellas, Japan—U.S.A., 1984-91, The Pont Neuf Wrapped, Paris, 1975-85, Surrounded Islands, Biscayne Bay, Greater Miami, Florida, 1980-83, and Running Fence, Sonoma and Marin Counties, California, 1972-76, and those in progress, including Over the River, Project for the Arkansas River, State of Colorado, and the Mastaba Project for the United Arab Emirates.

Click Image to CloseChristo and Jeanne-Claude’s installation projects require years of planning.Click Image to Close The considerable activity which precedes the installation of a piece is as much a part of the work as the actual installations. Zoning board hearings, public forums, parliamentary debates, legal negotiations, preparatory drawings and collages are part of the process.

This is why each particular progression of activities is referred to as a “project” and the dates for each start with the inception of the idea and end with the completion of the piece.

Christo and Jeanne-Claude were both born on June 13, 1935, he as Christo Javacheff in Bulgaria and she as Jeanne-Claude Denat de Guillebon in Morocco of a French military family. Christo studied at the Fine Arts Academy in Sofia, Bulgaria from 1953 to 1956. In 1957, he escaped Prague, eventually making his way to Paris. There Christo met Jeanne-Claude in 1958 when he was commissioned to paint a portrait of her mother. Jeanne-Claude was educated in France and Switzerland, and earned degrees in philosophy and Latin from the University of Tunis. Since that time, they have collaborated on an impressive array of artistic work.

This celebratory exhibition was organized by the Museum of New Art (MONA) with special thanks to Christo and Jeanne-Claude for their generous donation of the forty signed reproductions of prints, collages and photographs. 

All 40 signed images are for sale, and have been donated by the artists to help fund future MONA projects. (Pricing has been set reasonably low by the artists themselves, $325 each.)

The printing technique is a special offset-lithography with a high density of dots. Many of these images are printed on a special paper called hammered cardboard with an ivory surface. It is similar to the paper used by artists for drawing. The paper is very thick, a little rough and therefore very resistant to any damage. The master printer needs between three and ten times the ink in relation to a normal art print paper because the surface is not closed and the ink goes deep inside the paper. This makes the image much more brilliant. 

Other images are printed on standard art print paper with a closed surface. The ink sits on the surface of the paper. Again, the printing technique is a special offset-lithography with a high density.
:
Christo has signed the prints of preparatory works: his drawings, collages, and paintings. Both Christo and Jeanne-Claude have signed those prints of completed projects.

 

      

Click Image to CloseClick Image to Close

Click Image to Close

 
THE PRINZHORN PRIZE
 
The winners of this year's Prinzhorn Prize have been chosen because their work is conceptually and emotionally rewarding, both illuminating current artistic dynamics and offering poignant insight into the human condition. All the Prinzhorn recipients demonstrate adventurousness, conceptual strength, and skillful execution in their work.
 
 
THE PRINZHORN PRIZE 2009:
 
Christo & Jeanne-Claude (Lifetime Achievement recipients)
Olaf Breuning
Nicole Eisenman
Tracey Emin
Dana Schutz
Jessica Stockholder
 
 
This is the first year for the Prinzhorn Prize.
 
Although a very modest counterpart to larger awards, the Prinzhorn Prize is still an active attempt to call attention to those artists whose work continues to enrich all our lives by bringing new vision to it. We are all proud of the six chosen artists achievements in the visual arts and want to encourage and acknowledge their accomplishments, and, by doing so, champion their work here in the Midwest.
 
The Prinzhorn is sponsored by the Museum of New Art (MONA), and nominations are invited and will be decided each year by an independent jury that will change annually.
 
Secondary to the awarding of the Prize, recipients are also being given an open-invitation to exhibit at the Museum of New Art in the coming months. The museum has served as Detroit’s contemporary museum since 1997 and, since its founding, has been funded and supported solely by artists.
 
Detroit has been suffering economic decline and troubles long before the current recession, but the art community has remained strong and vital throughout -- despite being insulated from and significantly unexplored by the outside world. The announcement of this Prize and the possible related solo exhibitions give some hope as a needed remedy for this situation along with the museum's other projects, such as Changing Cities.

 

 

 

detroit news

press announcement

noel night

poster

biography

Jeanne-Claude

the anti-Christo email